In the mood for love soundtrack movie#
In the mood for love soundtrack full#

Part of that confusion could be about whether the subject loves the singer, sure. In Spanish, the lyrics ask вЂњwhat, when, how and whereвЂќ in reference to a more general sense of confusion over the relationship. In English, the question is clear, вЂњDo you love me?вЂќ But in вЂњQuizГЎs, QuizГЎs, QuizГЎsвЂќ itвЂ™s not so straightforward. ItвЂ™s fitting, then, that aside from the eerie, beautiful, and utterly melancholy вЂњYumeijiвЂ™s ThemeвЂќ which dominates the score, one of the only other songs to be repeated throughout the film is Nat King ColeвЂ™s version of вЂњQuizГЎs, QuizГЎs, QuizГЎs.вЂќ The original Cuban version differs from the English вЂњPerhaps, Perhaps, Perhaps,вЂќ which is surprisingly not a translation but new lyrics entirely. They look backwards searching for meaning in an attempt to understand why their lives have turned out this way, and that changes the entire tenor of the film. Instead of wondering what could happen, Su and Chow ruminate only on how theyвЂ™ve arrived where they already are. Anything seems possible.Д«ut while In the Mood for Love is interested in possibilities, itвЂ™s not the sort you might assume. By the end of the second story in Chungking Express, the charactersвЂ™ futures are still undetermined maybe theyвЂ™ll be together, maybe they wonвЂ™t, but more important is the fact that it seems possible. In the Mood for Love explores similar themes, but without the ray of hope that seems to dance over the characters in Chungking. Like many, I came to this off the heels of Chungking Express (1994), a much more frenetic and comedic exploration of love, loss, and missed chances. The eye almost canвЂ™t decide where to look, thereвЂ™s so much going on, and often all without a single actor in the shot.

In the mood for love soundtrack full#

You can imagine him thinking, вЂњWell, if IвЂ™m going to make them stare at an empty room, itвЂ™s going to be the most beautiful room I can come up with.вЂќ And so we get sets full of rich wallpapers, vibrant dresses, and lighting that alternates between eerie yellows and greens and seductive reds. Making matters deliciously worse is the unreal beauty of Wong Kar-waiвЂ™s direction and cinematography. WeвЂ™re close enough to see the pain on their faces, but not close enough to do anything about it. We watch them through glass, reflected in mirrors, and between bars. He keeps the camera at a distance in a way that makes even the simplest acts, even just going out for noodles, seem heartbreaking.

They seem to drift through the world in firm denial of their loneliness, but Wong refuses to let it stay hidden and unaddressed. Set in 1963 Hong Kong, the 2001 film is the story of Su Li-zhen (Maggie Cheung) and Chow Mo-wan (Tony Leung), neighbors in an apartment building that only know each other from the occasional run-in in the hall until a discovery about their spouses binds them together. All thatвЂ™s left are a few alleyways, a few hallways, and a handful of empty rooms.

In watching it, it feels as if the entire world has melted away and everyone else with it. It lingers over things unsaid and empty rooms and places where someone else should be.

In the mood for love soundtrack movie#

Instead, it seems to be a movie obsessed with empty spaces.

For a movie about love, Wong Kar-waiвЂ™s In the Mood for Love has little interest in longing glances or passionate embraces.